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Character Development

  • Aug. 12th, 2007 at 10:04 PM
Dawnbreaker
When creating a world in which to play, there are thoughts about societies and moral structures, traditions and technological developments, that all must be laid out but the characters that move about in this construct are, for me, the most fun to play with.

Urban fantasy is typically written from the first person point of view (POV), which in general, I did not use too frequently until now. First person POV offers an excellent way to get into the head of your main character, intensfy both the emotions and the action, and provide a surprise or two for your readers.

But first person can also be a bit limiting if you want to provide some in-depth details about some of your other characters, particularly when your main character is a bit biased -- or just plain hates one or more of the other characters.

Interestingly enough, that is where Tristan comes in. I had a character appear that played a major role in my main character's past. Unfortunately, my main character has a deep loathing for this other character and resulted in some rather one-sided rants and comments.

Characterization comes from actions, thoughts, words, and how other characters interact with other characters. Mira's (my main character) thoughts, actions, and comments all provided nice information about Sadira (the minor character), but I wanted a little more detail -- more proof that Mira just wasn't going off the deep end.

Thus, Tristan was born. His job was to interact with Sadira outside of Mira, and show that there was more to Sadira than what Mira was saying. But Tristan surprised me. His existence provided an unexpected insight into Mira's own past as she was forced to face some ugly skeletons that she had packed away.

Tristan continued to surprise me in many ways as the story unfolded. His single job was to act as foil to Sadira, but somewhere along the way he developed a complete personality, a soul, a moral fiber, a history, and in the end, a life of his own. By the end of the book, he surprised me yet again. Despite the fact that he appeared somewhat late in NIGHTWALKER, he became one of my favorite characters.

There are some writers that say the characters they create are just that, creations that will do their bidding. For me, my characters are so much more. If you know them well enough and breath enough life into them, then they become living, breathing entities with drives and ambitions and fears. I just try to act as a guide, push them in a direction and remind them of tasks that must be accomplished. How they get there and what they have to do to reach that point, it honestly feels like they decide on their own. There are times I am proud of them and others when they disappoint me, but they are always my family and friends.

Tristan's Story

  • Aug. 11th, 2007 at 12:28 PM
Dawnbreaker

A wonderful reader requested a little sample of my writing and I just couldn't refuse. Unfortunately, it is far too soon to post anything from the book. However, I do have a very, very short story I had written a couple summers ago about how one of the vampires made the choice to be reborn. His reasons are not particularly original, but I don't fault him for that. In the end, all vampires are still human and prone to very human situations and choices. Sometimes we do things just to escape.

Very soon I will tell you more about Tristan, but for now, here is simply his beginning.

Tristan’s Final Days

It was February and my hands were stiff and numb. I had been walking for hours along the narrow streets of Paris, oblivious to the exquisite architecture rising up around me. Earlier in the day, I had delivered the watches to the various dealers around the city and now there was nothing for me to do but lie down in my empty hotel room and wait for the dawn. But I couldn’t. I couldn’t stand another second of being locked up with the silence that squat fat and heavy like pile of rotting garbage in the corner. So I walked. From the Hôtel des Victoire down past the Musee du Louvre, barely sparing the looming palace a glance, to the Musee Delacroix and then up the Rue du Saint Germain. I walked with my head down and my collar turned up against the bitter winter wind that whipped through the slender passageways. The sound of my footsteps slammed against the flat fronts of the buildings, their windows black and drawn for the night.

Whether due to the cold or the lateness of the hour, I was alone on these streets, winding my way through the Seventh Arrodissment toward the northern half of the city. I walked without direction or purpose, trudging along as far as my legs were willing to carry me. 

A thin wisp of fog threaded its way along the narrow, cobblestone streets ahead of me like a white silk scarf leading me through this maze, beckoning me down one nameless alley and then up a wide strip near Invalides.

I could feel Violetta’s small hand resting in the crook of my arm as she walked with me, her thin body pressed close as she fought to keep warm in the bitter night air. She whispered to me, pointing out the curious little shops. I promised to take her again in the morning so that she could pick up a new pair of gloves or a fashionable hat that would make her the envy of all the women back in Geneva.

At the base of a wide set of stairs, I paused, winded and my eyes tearing from the cold, to look around. Violetta was gone. Not just from Paris, but from my life. Two years she had been dead along with a daughter that had never been named. I walked these streets with her memory, teasing and taunting, calling me to her side.

I shuddered, my muscles trembling from something other than the cold. Shoving my hands into my pockets, I turned and started up the stairs that led to Sacre Coeur, its great white towers gleaming in the night sky. Violetta would have liked this hill in the day. She would have been able to look down to see all of Paris laid out before her like an intricate spider’s web. She would have liked the little cove of artists settled in nearby Montmartre.

I had climbed only a few stairs when I looked up to find a woman standing on the stairs above watching me. She was an older woman, appearing to be in her late 40s to early 50s, with her dark, black hair pulled up and away from her delicate face. A woolen white shawl was wrapped around her thin shoulders and over her long, navy blue dress. I stood transfixed as she slowly descended the stairs toward me. Her skin was luminescent in the faint lamplight, as pale as the moon and as flawless as the feathers of a dove.

She stopped just a couple of stairs above where I stood, her thin, leather-gloved hand resting lightly on the railing. “Pardonnez-moi, mais… Quelle heure avez-vous?” Her voice was softer than Violetta’s caress, and while her French was flawless, I could tell it was not her native tongue. It was something rarer and more exotic like a tropical bloom seen only in a conservatory behind a pain of glass. 

Fumbling with my coat, I reached into my coat and pulled my gold pocket watch from my vest. My fingers were numb and clumsy from the cold and as I attempted to flip open the front, the watch slipped from my fingers. The cold, crisp silence was shattered as the watch clattered down two of the stone stairs before rolling to a stop. I lurched forward, frozen muscles crying out at the sudden movement, snatching up the errant timepiece that my father had made for me as a wedding gift. Opening the front, I discovered that the glass had cracked, with two long, jagged lines snaking across the front. The second hand had also stopped.

I looked up, lost and wordless. The woman extended her hand to me, and smiled.

It was two hours before sunrise.

 

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